Behind closed doors in the state of New Hampshire during the early days of 2008, a former First Lady named Hillary is in a desperate bid to save her troubled campaign for President of the United States. Her husband, Bill, sees things one way; her campaign manager, Mark, sees things another. If any of this sounds familiar, don't be fooled; in a universe of infinite possibilities, anything that can happen, will.
In Hillary and Clinton, Lucas Hnath examines the politics of marriage, gender roles, and the limitations of experience and inevitability in this profoundly timely look at an American dynasty in crisis.
He takes a deep dive into Hillary and Bill's psyche and he clearly has done his homework. Fortunately, he's got an A plus cast to work with. Laurie Metcalf and John Lithgow are, as expected, outstanding. Hillary's in New Hampshire, a basket case after coming in third in Iowa. Frustrated and defensive she has to decide whether to continue in the race, drop out or agree to be Obama's running mate. Bill has been banished from the campaign, but in Hillary's desperation, she calls him for help. As directed by Joe Mantello, the dynamic between the two is engrossing on that bare stage. But what emerges is not so much a dramatic play as a psychological study of two brilliant and flawed people.
Not even two of the brightest stage stars - Laurie Metcalf and John Lithgow - can make 'Hillary and Clinton' more than a wispy exercise. The barbed comedy that opened Thursday night on Broadway doesn't lack for laughs. But as it rehashes old wounds, it offers no fresh insights into either political or personal realms.
2019 | Broadway |
Original Broadway Production Broadway |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2019 | Drama Desk Awards | Outstanding Actress in a Play | Laurie Metcalf |
2019 | Drama League Awards | Distinguished Performance Award | Laurie Metcalf |
2019 | Tony Awards | Best Performance by an Actress in a Leading Role in a Play | Laurie Metcalf |
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