Tony winner Bartlett Sher (South Pacific) directs this classic tale of a British schoolteacher's unexpected relationship with the imperious King of Siam.
Five-time Tony Award nominee Kelli O'Hara (The Light in the Piazza, South Pacific) and Academy Award nominee Ken Watanabe (The Last Samurai, Inception) star in a magnificent new Broadway production of Rodgers and Hammerstein's beloved THE KING AND I.
Featuring a cast of more than 50, choreography based on the original by Jerome Robbins, and a score of treasured songs including "Getting to Know You," "I Whistle a Happy Tune" and "Shall We Dance?" in their glorious, original orchestrations, Lincoln Center Theater's new staging of THE KING AND I invites you to get to know this inspiring and enchanting musical classic.
...the revival that opened tonight...is too beautiful to miss...Sher's production is the frankest, and sexiest, I've ever seen. It is also the saddest...The degree to which you want the characters to acknowledge and act on their attraction is a bit of a shock, considering the personal and cultural implications...It takes extraordinary acting and singing to build and sustain such moments. No surprise that O'Hara handles the singing easily; she has perhaps the most naturally beautiful voice on Broadway. But Anna also gives her the opportunity to dispense with the niceness that has sometimes threatened to flatten her stage persona. She has a terrific sparring partner in Watanabe...Though he's occasionally unintelligible, I never failed to understand him, and his conception of the king as a complicated blend of spoiled teenager and spiritual striver made a more convincing case for him than I've previously experienced.
Director Bartlett Sher's sweepingly romantic production aches with deep, unforced understanding of the story's East/West cultural divide while luxuriating in the sumptuous pleasures of the 1951 Rodgers and Hammerstein classic...the king himself is now powerfully inhabited by Ken Watanabe...Contrary to rumored problems with his pronunciation, every word is as clear as the impact behind it. The coupling of the actor with O'Hara as the English schoolteacher is inspired -- full of aching attraction and the impossible tension of smart, beautiful people from different worlds. O'Hara, with her silvery pinpoint vocal precision and her natural empathy, creates an Anna of fierce, caring intelligence. Watanabe, who shaved his head but is nothing like Brynner, is imposingly tall, masculine yet enormously vulnerable as the ruler of an isolated, male-dominated world and whose doubts about modernization eventually break both their hearts...How good to be getting to know the show all over again.
1951 | Broadway |
Original Broadway Production Broadway |
1953 | West End |
London Production West End |
1956 | Off-Broadway |
City Center Revival Off-Broadway |
1960 | Off-Broadway |
City Center Revival Off-Broadway |
1961 | Off-Broadway |
City Center Revival Off-Broadway |
1963 | Off-Broadway |
City Center Revival Off-Broadway |
1964 | Broadway |
Lincoln Center Revival Broadway |
1968 | Off-Broadway |
City Center Revival Off-Broadway |
1969 | Milburn, NJ (Regional) |
Paper Mill Production Milburn, NJ (Regional) |
1973 | West End |
London Revival West End |
1977 | Broadway |
Broadway Revival Broadway |
1979 | West End |
London Revival West End |
1985 | Broadway |
Broadway Revival Broadway |
1996 | Broadway |
Broadway Revival Broadway |
2000 | West End |
London Production West End |
2002 | Milburn, NJ (Regional) |
Paper Mill Production Milburn, NJ (Regional) |
2004 | US Tour |
Touring Revival US Tour |
2006 | St. Louis, MO (Regional) |
St. Louis MUNY Production St. Louis, MO (Regional) |
2015 | Broadway |
Lincoln Center Theatre Broadway Revival Broadway |
2016 | US Tour |
Lincoln Center National Tour US Tour |
2018 | West End |
West End Revival Prodution West End |
2024 | West End |
West End |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2015 | BroadwayWorld Awards | Best Costume Design | Catherine Zuber |
2015 | BroadwayWorld Awards | Best Leading Actress in a Musical | Kelli O'Hara |
2015 | BroadwayWorld Awards | Best Revival of a Musical | The King and I |
2015 | Drama Desk Awards | Outstanding Revival of a Musical | The King and I |
2015 | Drama Desk Awards | Outstanding Sound Design in a Musical | Scott Lehrer |
2015 | Drama League Awards | Distinguished Performance Award | Ruthie Ann Miles |
2015 | Drama League Awards | Distinguished Performance Award | Kelli O'Hara |
2015 | Drama League Awards | Outstanding Revival of a Broadway or Off-Broadway Musical | The King and I |
2015 | Outer Critics Circle Awards | Outstanding Actress in a Musical | Kelli O'Hara |
2015 | Outer Critics Circle Awards | Outstanding Costume Design | Catherine Zuber |
2015 | Outer Critics Circle Awards | Outstanding Featured Actress in a Musical | Ruthie Ann Miles |
2015 | Outer Critics Circle Awards | Outstanding Revival of a Musical | The King and I |
2015 | Outer Critics Circle Awards | Outstanding Set Design | Michael Yeargan |
2015 | Tony Awards | Best Choreography | Christopher Gattelli |
2015 | Tony Awards | Best Costume Design of a Musical | Catherine Zuber |
2015 | Tony Awards | Best Direction of a Musical | Bartlett Sher |
2015 | Tony Awards | Best Lighting Design of a Musical | Donald Holder |
2015 | Tony Awards | Best Performance by an Actor in a Leading Role in a Musical | Ken Watanabe |
2015 | Tony Awards | Best Performance by an Actress in a Featured Role in a Musical | Ruthie Ann Miles |
2015 | Tony Awards | Best Performance by an Actress in a Leading Role in a Musical | Kelli O'Hara |
2015 | Tony Awards | Best Revival of a Musical | The King and I |
2015 | Tony Awards | Best Revival of a Musical | Lincoln Center Theater |
2015 | Tony Awards | Best Revival of a Musical | Andre Bishop |
2015 | Tony Awards | Best Revival of a Musical | Adam Siegel |
2015 | Tony Awards | Best Revival of a Musical | Hattie K. Jutagir |
2015 | Tony Awards | Best Revival of a Musical | Ambassador Theatre Group |
2015 | Tony Awards | Best Scenic Design of a Musical | Michael Yeargan |
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