The Piano Lesson is set in Pittsburgh's Hill District in 1936. A brother and sister are locked in a war over the fate of a family heirloom: a piano carved with the faces of their ancestors. Only by revisiting history can the siblings endeavor to move forward. Directed by LaTanya Richardson Jackson, The Piano Lesson is a part of August Wilson's American Century Cycle, which chronicles the Black experience throughout the 20th Century over the course of ten plays.
Boy Willie is, by definition, insolent and impetuous, and Washington-so captivating as an undercover cop in Spike Lee's Oscar-winning drama BlacKkKlansman-captures both with ease, and has presence to spare. Unfortunately, he's also pretty much at full volume, and full speed, from the jump. To be fair, Charles S. Dutton's performance at Yale Rep and on Broadway received some of the same criticism-too big, too loud, too fast. And if Boy Willie didn't drive at 55 mph, the play could easily be 20 minutes longer. That's how massive the part is. One suspects, however, that Washington will be dynamite in the Netflix Piano Lesson adaptation.
The cast is uniformly wonderful. The three leads blend and harmonize, while adding individual grace notes. Brooks speaks volumes with just a glance, Washington adds spirited bluster, and Jackson's distinct voice was made for Wilson's words. I lost count of how many times Doaker deadpans, 'Berniece ain't gonna sell that piano' - but he made it fresh each time. (Jackson understudied Boy Willie in the 1990 Broadway run.) In their supporting roles, Fisher makes dim Lymon lovable, while Potts radiates gleeful charisma. Watching Wining Boy sell Lymon an absurdly ill-fitting suit is like taking a whiff of theatrical laughing gas. As Grace, a wise-to-the-world woman Boy Willie and Lymon try to romance, April Matthis gives a lesson in how to make a big impact with a small role. The production team also delivers. Beowulf Boritt's set leaves room for an eerie showdown enhanced by Jeff Sugg's projections, Toni-Leslie James's costumes evoke mid-1930s style, and Japhy Weideman's lighting lends warmth and chill as needed.
1990 | Broadway |
Broadway |
2012 | Off-Broadway |
Signature Theatre Company Off-Broadway |
2022 | Broadway |
Broadway Revival Production Broadway |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2023 | Drama Desk Awards | Outstanding Featured Performance in a Play | Danielle Brooks |
2023 | Drama Desk Awards | Outstanding Featured Performance in a Play | Ray Fisher |
2023 | Drama Desk Awards | Outstanding Lighting Design of a Play | Japhy Weideman |
2023 | Drama Desk Awards | Outstanding Revival of a Play | The Piano Lesson |
2023 | Drama Desk Awards | Outstanding Wig and Hair | Cookie Jordan |
2023 | Drama League Awards | Distinguished Performance Award | Danielle Brooks |
2023 | Drama League Awards | Distinguished Performance Award | John David Washington |
2023 | Drama League Awards | Outstanding Revival of a Play | The Piano Lesson |
2023 | Outer Critics Circle Awards | Outstanding Featured Performer in a Broadway Play | Danielle Brooks |
2023 | Outer Critics Circle Awards | Outstanding Featured Performer in a Broadway Play | Michael Potts |
2023 | Theatre World Awards | Theatre World Awards | John David Washington |
2023 | Tony Awards | Best Performance by an Actor in a Featured Role in a Play | Samuel L. Jackson |
2023 | Tony Awards | Best Revival of a Play | The Piano Lesson |
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